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The Poems of Gerard Manley Hopkins (Oxford Paperbacks), by G. M. Hopkins
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Fourth ed. based on the First ed. of 1918 and enl. to incorporate all known Poems and Fragments. Ed. with additional notes, a Foreword on the Revised Text, and a new biographical and critical introd. by W.H. Gardner and N.H. MacKenzie.
- Sales Rank: #138009 in Books
- Published on: 1976-03-18
- Original language: English
- Number of items: 1
- Dimensions: 5.25" h x .74" w x 7.75" l,
- Binding: Paperback
- 426 pages
Review
'A very useful edition of the poems, together with extracts from the diaries, letters, sermons and devotional writings. Also a helpful, unfussy introduction and good notes. It forms a good introduction ti a poet whom many students find difficult.' Dr. S. M. Smith, Nottingham University.
'anyone doing detailed work on Hopkins's poetry is now likely to consult Poetical Works, for as well as carrying the authority of the diligence that has gone into its preparation, it offers an unmatched wealth of information ... most scholars interested in Hopkins's poetry will probably be delighted with the results of this mammoth editorial project and will want the set' Diana L. Austin, University of New Brunswick, English Studies in Canada, March 1993
About the Author
Alice Jenkins is lecturer in the department of English at the University of Glasgow
Most helpful customer reviews
15 of 16 people found the following review helpful.
??? on Kindle 3
By Robert Hoeppner
Many lines on my Kindle 3 have rectangular boxes containing questions marks prepended. So "The Wreck of the Deutschland" looks something like
???????????????Thou mastering me
??????????God! giver of breath and bread;
?????World's strand, sway of the sea;
??????????Lord of living and dead;
???Thou hast bound bones and veins in me, fastened me flesh,
???And after it almost unmade, what with dread,
?????Thy doing: and dost thou touch me afresh?
Over again I feel thy finger and find thee.
There are some poems where this doesn't happen at all, and others where it regularly occurs. I think the ?s represent spaces for formatting indentations. It would be nice if there were a way to either filter the ?s out or convert them to spaces. Given a relatively low price, and given that this seems to be a comprehensive collection of Hopkins' poetry, 3 stars seems a fair rating.
0 of 0 people found the following review helpful.
Great gift for Hopkins fans
By Cynthia Miller
I purchased this as a gift for my dad, after finding out Hopkins is his favorite poet, and he absolutely loves this book.
43 of 47 people found the following review helpful.
A wonderful volume of a wonderful poet
By Liz Foster
The first poem by Gerard Manley Hopkins I read was "PiedBeauty," which was included in a book of poetry for children thatwas given to me by my great-aunt. In high school, I read "Spring and Fall: to a young child" and loved it, though I did not realize it was by the same author. It was only college that I connected the two, and discovered a wonderful poet, who has become one of my favorites.
For a fan of Hopkins looking for an authoritative volume, this edition is a treasure. In addition to his better known works, it contains early poems, numerous fragments, and unfinished works, in fact "every scrap of English verse which can be ascribed... to Hopkins" (from the Introduction xvii). In addition, it contains a good essay on Hopkins and his work, and extensive textual notes.
Hopkins poetry may appear obscure and difficult at first, and in fact it is, at times, wildly original. Hopkins' language is deliberately archaic and inventive, and he both revives wonderful words not used since Shakespeare, and makes up his own. Hopkins also writes in "sprung rhythm," a metrical style that is almost syncopated, and juxtaposes stressed syllables. I recommend reading his poems out loud. The sheer beauty of his language will inspire you to recite the words over and over again, until you understand his meaning: the essence which he is trying to distill. New readers may be daunted by this volume at first, and find that Hopkins' great poems are "submerged in a mass of less significant fragments" (Intro xiv). I would suggest his sequence of ten sonnets (#31-40) as an ideal place to start reading.
Hopkin's friend and fellow poet Robert Bridges wrote that Hopkins strove "for the unattainable perfection of language," and at times he seems to have actually obtained it: "Men go by me whom either beauty bright / In mould or mind or what not else make rare: / They rain against our much-thick and marsh air / Rich beams, till death or distance buys them quite." (The Lantern out of Doors, #40). END
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